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Dubai Culture's 'Inherited Lines' Honours the Living Art of Arabic Calligraphy

Dubai Culture's 'Inherited Lines' Honours the Living Art of Arabic Calligraphy
A work of Arabic calligraphy from 'Inherited Lines' at La Galerie, Alliance Francaise Dubai. Image courtesy of Alliance Francaise Dubai, via the Fondation des Alliances Francaises.

Exhibitions

Dubai Culture's 'Inherited Lines' Honours the Living Art of Arabic Calligraphy

By Artmena Editorial4 months ago

Dubai recently played host to an exhibition that did exactly what our region does so well: it treated heritage not as something frozen behind glass, but as a living discipline handed from one generation to the next. "Inherited Lines," organised by the Dubai Culture and Arts Authority in collaboration with Alliance Francaise Dubai, with artistic coordination by DiarBid ArtHouse, celebrated Arabic calligraphy by bringing veteran calligraphers and recent graduates together under one roof.

The exhibition featured 20 works spanning a wide stylistic range, from classical calligraphic structures to more abstract, ornamented compositions. Established names including Hussam Abdelwahab, Abdulrazzak Mahmoud and Bahman Zahedi were shown alongside graduates of Dubai Culture's Arabic Calligraphy, Ornamentation and Gilding programme, which launched only last year. Those emerging talents, among them Sabeena Shajahan, Nemat Meqdady, Rasha Majeed, Entesar Ahmed, Suzan Murad, Nadia Siraj and Sah, were given something more valuable than a certificate: a professional platform and a public wall.

That intention runs right through the project. "Success is not limited to organising initiatives, but in creating long-term ecosystems where emerging talent can continue growing professionally, exhibiting publicly, and contributing meaningfully to the cultural sector," Shaima Rashed Al-Suwaidi, CEO of the Arts, Design and Literature Sector at Dubai Culture, told Arab News.

The title itself is the thesis. Arabic calligraphy, as Al-Suwaidi explained, is transmitted knowledge, a disciplined system of proportion, geometry and composition that artists inherit and then remake in their own hands. "The exhibition itself mirrors this balance through the diversity of works presented, bringing together different styles, schools, and approaches to Arabic calligraphy and ornamentation," she said. In other words, the "lines" being inherited are at once the strokes on the page and the lineage of teachers behind them.

What's more, the setting carried its own quiet message. Staging an exhibition devoted to Arabic calligraphy at La Galerie in Alliance Francaise Dubai turned the space into a bridge between cultures, a place where French, Francophone and Emirati artistic expression could meet. For a script that has always been as much about beauty as about communication, it was a fitting stage.

We have a particular soft spot for shows like this. It would be easy for a heritage art form to be wheeled out only for nostalgia, but "Inherited Lines" did the harder and more useful thing: it invested in the people who will carry calligraphy forward, and it let them stand beside the masters as peers rather than pupils. That is how a tradition stays alive.

Here's hoping this becomes an annual fixture, and that its graduates go on to fill walls of their own. "Inherited Lines" ran from 13 May to 5 June 2026 at La Galerie, Alliance Francaise Dubai, in Oud Metha.

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